【ComfyUI】YuE2の使い方｜歌詞から曲を生成・カバー曲も作れる

Style

Japanese bittersweet driving rock, emotional modern J-rock, clear and transparent female lead vocal with an intimate restrained tone in the verses and a powerful passionate delivery in the choruses, around 150 BPM, energetic live drums, melodic electric bass, layered electric guitars with clean arpeggios in quieter sections and wide distorted guitars in the choruses, subtle piano supporting the harmony without dominating the mix. Quiet and introspective opening verse, gradually rising emotional tension through the pre-chorus, then an explosive uplifting chorus with a memorable singable hook. Second verse adds more rhythmic momentum and guitar movement, followed by a stronger pre-chorus and chorus. Emotional bridge briefly pulls the arrangement back before building into a large final chorus. Bittersweet but ultimately hopeful atmosphere, conveying the feeling of leaving a painful farewell behind and taking the first step forward through a city at dawn.

Lyrics

[Verse]
眠れない街の隅で
君の影を探してた
言えなかった言葉だけ
胸の奥に残ってる

冷たい風に吹かれて
ひとり歩く交差点
戻れないと知りながら
何度も振り返ってた

[Pre-Chorus]
消えない痛みも
抱えたままでいい
遠い空の向こう
光が差してく

[Chorus]
夜明けを越えて　走り出せ
涙の跡も連れてゆけ
さよならの先にある空へ
もう一度　僕は歩き出す

夜明けを越えて　手を伸ばせ
昨日の僕を置いてゆけ
君を忘れるためじゃなくて
新しい朝を迎えるため

[Verse]
始発を待つホームには
少しずつ人が増えて
止まっていたこの世界も
静かに動き始める

君と見てた景色さえ
いつか優しくなるかな
答えなんてまだなくても
足だけは前を向いた

[Pre-Chorus]
こぼれた願いを
拾い集めながら
白む空の下で
僕は息をする

[Chorus]
夜明けを越えて　走り出せ
震える声も連れてゆけ
さよならの先にある空へ
もう一度　僕は歩き出す

夜明けを越えて　手を伸ばせ
昨日の僕を置いてゆけ
君を忘れるためじゃなくて
新しい朝を迎えるため

[Bridge]
もしもいつの日か
君を思い出して
少しだけ笑えたなら
それでいい

失くしたものより
これから出会うものを
信じてみたいんだ
この朝から

[Chorus]
夜明けを越えて　走り出せ
涙の跡も連れてゆけ
さよならの先にある空へ
何度でも　僕は歩き出す

夜明けを越えて　手を伸ばせ
昨日の僕を置いてゆけ
君と過ごした日々を抱いて
新しい朝を迎えにゆこう

夜明けを越えて　走り出せ
光の中へ　走り出せ

Style

English nostalgic synthpop with a bittersweet but uplifting nighttime atmosphere, female lead vocal, around 115 BPM. Warm analog synthesizers, pulsing rhythmic synth bass, crisp light acoustic-electronic hybrid drums, shimmering clean electric guitar, subtle atmospheric pads and bright arpeggiated synth textures. Soft, intimate and breathy female vocals in the verses, close and emotionally restrained, gradually opening through the pre-choruses into clear, soaring vocals in the choruses with wide layered harmonies. Danceable steady groove with an understated verse, rising harmonic and rhythmic tension in the pre-chorus, then a spacious euphoric chorus that feels like city lights opening into the horizon. Second verse adds brighter synth movement and guitar accents. Bridge briefly strips back the drums and bass for a reflective moment before rebuilding into a larger final chorus with richer harmonies and an optimistic emotional release. Nostalgic, cinematic and nocturnal, ending with a lingering sense of moving forward.

Lyrics

[Verse]
Streetlights slide across the glass
Midnight blocks are drifting past
Your old jacket on my seat
Like a shadow next to me

Radio low, the windows down
Silver signs above the town
Every corner knows your name
But tonight it feels changed

[Pre-Chorus]
Red lights turn to green
Your memory fades between
The places we have been
And somewhere I have never seen

[Chorus]
Drive into the light
Drive into the light
Leave the old streets far behind
I can carry you
Without holding on to you
Drive into the light

[Verse]
Neon trembles in the rain
Headlights running down the lane
In the window, for a while
I can almost see your smile

Then the skyline starts to glow
Morning coming soft and slow
What we had was real enough
I don’t have to give it up

[Pre-Chorus]
Red lights turn to green
A new sky opens over me
The night is growing thin
And I can feel the road begin

[Chorus]
Drive into the light
Drive into the light
Leave the old streets far behind
I can carry you
Without holding on to you
Drive into the light

[Bridge]
One last song beneath the signs
One last look at another time
I won’t erase what we became
I just won’t stay here the same

The rearview fills with fading gold
The morning air is turning warm
I breathe it in and let it go
There’s somewhere else I want to know

[Chorus]
Drive into the light
Drive into the light
Leave the old streets far behind
I can carry you
Without holding on to you
Drive into the light

Drive into the light
Drive into the light
There’s a new day in my eyes
I can miss you still
And keep moving forward still
Drive into the light

Style

English acoustic soul cover, intimate late-night live-house atmosphere just before dawn, maintaining the original song’s 115 BPM tempo, meter, melody, vocal rhythm, and section structure. Warm Rhodes electric piano, clean expressive electric guitar, rounded melodic bass, restrained live drums with soft kick, snare and subtle cymbal work, with minimal atmospheric texture. Female lead vocal with a slightly husky, warm and breathy tone, emotionally restrained and close-miked in the verses, emphasizing natural phrasing and intimate breath detail without imitating the original singer. Keep the verses sparse and spacious, led by Rhodes, guitar and light rhythm section. Gradually add bass movement and subtle harmonic support through the pre-choruses. Let the choruses open warmly with fuller live instrumentation, layered female backing harmonies, wider Rhodes voicings and gentle guitar accents while preserving the original melody and rhythmic phrasing. Pull the arrangement back again during the bridge for a reflective live-room feeling, then build naturally into the final chorus. Bittersweet, soulful and understated, preserving the original sense of loss while ending with warmth, acceptance and forward motion.